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PAS officials also take issue with the prominent role of women as mak yong actresses, arguing that the appearance of women in such performances encourages male audience members to view them as sexual objects. PAS officials claim that mak yong performances incorporate pre-Islamic belief systems and encourage the worship of deities and supernatural beings other than Allah. In 1991, Parti Islam Se-Malaysia, or PAS, the Islamic party that rules Kelantan, issued an official ban on mak yong performances under a clause prohibiting acts of vice (Khoo, Tikamdas, & Wong, 2003). Mak yong is a Malay dramatic art performed in the region of the former Pattani Sultanate, an area that includes the northern Malaysian states of Kedah, Terengganu, and Kelantan and the southern Thai provinces of Pattani, Yala, and Narathiwat.
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The MHC’s programming team concluded that a historically and culturally contextualized presentation of a main ‘teri healing ritual would provide a means to explore the theme of adat, Malay customary practices, and support the MHC’s proposed special museum exhibit of Ilham Alam: Nature and Healing in The Malay World. The underlying philosophy of main ‘teri, the concept of angin, and its connection to Malay cosmology, is shared and understood with varying degrees across Nusantara. Main ‘teri has been well documented in ethnographic literature (Kessler 1977 Laderman 1991 Hardwick 2009, 2013a, 2013b, 2014) and continues to be used to treat psychological and spiritual illness in rural Kelantan.
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A highlight of the 2013 Malay Culture Fest was a performance of main ‘teri, a Kelantanese Malay healing ritual. The festival marked the centre’s first anniversary after its recent facelift and inclusion as a Heritage Institute under the National Heritage Board. In September 2013, the Singapore Malay Heritage Centre (MHC) presented a three week long festival highlighting Malay culture.
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